Within every woman there lives a powerful force, filled with good instincts, passionate creativity, and ageless knowing. She is the Wild Woman, who represents the instinctual nature of women. But she is an endangered species.
— Dr. Clarissa Pinkola Estés, Women Who Run With Wolves

CRISTINA KOTZ CORNEJO

Director | Writer | Producer

Cristina formed Wild Wimmin Films in 1995. The name of the company is inspired by Dr. Clarissa Pinkola Estés and her pioneering book, Women Who Run With Wolves. Finding strength and inspiration from the stories of our ancestors and the power within women, Cristina chose to honor the Wild Woman, a female who is aware of her primal side and who feels confident in relying on her gut instincts to make choices, something that has not been encouraged or nurtured in patriarchal societies.

Cristina received a M.F.A. from New York University’s Tisch School of the Arts, a M.A. in Organizational Arts Management from Antioch University and a B.A. in International Relations from the University of Southern California.

Raised in Buenos Aires, Argentina and the US, Cristina Kotz Cornejo is an independent filmmaker. 3 Américas (2007) marks her feature film debut. She has shown the film around the world, ranging from Montevideo, Uruguay to San Francisco to New York City. 3 Américas was in the official script competition (as Soledad) at the 2003 International Festival of New Latin American Cinema in Havana, Cuba. She is the recipient of a 2004 & 2007 Moving Image Fund Grants from the LEF Foundation in support of 3 Américas’ development and was invited to attend the Sundance Institute’s 2004 Independent Producer’s Conference with 3 Américas (as Soledad). 3 Américas is distributed by Vanguard Cinema and Cinetic Rights Management and can be found here on Netflix. Her short film, La Guerra Que No Fue/The War That Never Was (2004) has screened at over 25 national and international festivals in over 10 countries and is distributed by OUAT! Media. Her shorts, Despertar (2011), Hermanas (2013) and Buena Fé (2014) have played festivals around the world. She is in the financing stage of her next feature film, Hermanas de Fé and in the development stage of a new feature screenplay.

In 2000 she was chosen as one of four directors to be awarded a grant from the Partnership for a Drug Free America to direct, Ernesto (2000), which premiered at the Palm Springs International Short Film Festival in August of that same year. Her short film, The Appointment (1999), developed under the advisement of Spike Lee, Nancy Savoca and Pascal Aubier while a student at NYU, was awarded a Warner Brothers Pictures Production Award, a Dean’s Post Production Award, and 3 NYU Craft Awards and was picked up for distribution by Urban Entertainment in Los Angeles. In 1999, Cristina was awarded an Independent Vision Grant from the Independent Feature Project to direct Off to College I Go! (1999), a 2 minute short which premiered at the Film Forum in New York City as part of the Classically Independent Film Festival. Her documentary short film, Jewel and The Catch, about African American LGBTQ activist, Jewel Thais-Williams was selected by Outfest to be part of the Outfest UCLA Legacy Project of UCLA's Film and Television Archive. Excerpts from Jewel and the Catch can be seen in the opening credit sequence of season 3 of of the series Transparent by Jill Soloway.

Cristina is a 2010 Film Independent Project Involve Fellow, a 2012 MacDowell Colony Fellow, a 2013 Massachusetts Cultural Council Artist Fellow and 2014 Cine Qua Non Screenwriter Fellow.

Cristina is also contributing author in Filming Difference: Actors, Directors, Producers and Writers on Gender, Race and Sexuality in Film, University of Texas Press (edited by Daniel Bernardi); May 2009.

In 2014, Cristina was promoted to Full Professor in the Department of Visual and Media Arts at Emerson College in Boston making her the first Latina Full Professor of Media Production in the US.